Thursday, June 5, 2008

Anne-Francois-Louis Janmot paintings

Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
At the time at which the events of this story occurred, the cell of the Tour-Roland was occupied, and if the reader desires to know by whom, he has only to listen to the conversation of three worthy gossips, who, at the moment when we attracted his attention to the Rat-Hole, were directing their steps to that very spot, going along the river-side from the Châtelet towards the Place de Grève.
Two of these women were dressed after the fashion of the good burgher wives of Paris; their fine white gorgets, striped red and blue woollen kirtles, white knitted hose with embroidered clocks, trimly pulled up over their legs, their square-toed shoes of tan-coloured leather with black soles, and above all, their head-dress—a sort of tinsel-covered horn, loaded with ribbons and lace, still worn by the women of Champagne, and the Grenadiers of the Russian imperial guard—proclaimed them to belong to that class of rich tradeswomen who hold the medium between

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