Monday, August 11, 2008

Joan Miro paintings

Joan Miro paintings
Jean-Honore Fragonard paintings
Jehan Georges Vibert paintings
The five- and six-year-olds pass the words of the song along to the little ones. Older children cheerfully play the s, falling into wriggling child-heaps with yells of joy, but they do not sing the words, only the tune, vocalised on a neutral syllable.
Adult Asonu often hum or sing at work, while herding, while rocking the baby. Some of the tunes are traditional, others improvised. Many employ motifs based on the whistles of the anamanu. None of the songs have words; all are hummed or vocalised. At the meetings of the clans and at and funerals the ceremonial choral music is rich in melody and harmonically complex and subtle. No instruments are used, only the voice. The singers practice many days for the ceremonies. Some students of the of the Asonu believe that their particular spiritual wisdom or insight finds its expression in these great wordless chorales.
I am inclined to agree with others who, having lived a long time among

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