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her a small, competent smile.
"There are spells to make everything speak. The master wizards were great listeners, and they devised ways to charm all things of the world, living and dead, into talking to them. That is most of it, being a wizard—seeing and listening." He drew a long breath, suddenly looking away and rubbing his hands together. "The rest is technique," he said. "Well. Here we go."hand from the skull and spoke to it again. This time the sound of the spell was reasonable and cajoling, almost plaintive. The skull remained silent, but it seemed to Molly that a wakeful-ness slipped across the faceless front and was gone again.
In the scuttling light of the radiant vermin, the Lady Amal-thea's hair shone like a flower. Appearing neither interested nor indifferent, but quiet in the way that a battlefield is sometimes quiet, she watched as Schmendrick recited one incantation after another to a desert-colored knob of bone that spoke not one word more than she did. Each charm was uttered in a more despairing tone than the last, but the skull would not speak. And yet Molly Grue was certain that it was aware and listening, and amused. She knew the silence of mockery too well to mistake it for death.
Abruptly he turned to face the skull, put one hand lightly on the pale crown, and addressed it in a deep, commanding voice. The words marched out of his mouth like soldiers, their steps echoing with power as they crossed the dark air, but the skull made no answer at all.
"I just wondered," the magician said softly. He lifted his
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